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Th Road to Sound

The Road to Sound

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  • Reviews
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Elori Saxl, The Blue of Distance

  • Album Reviews

Mini-reviews: Notice Recordings, November 2020 Batch

  • Premieres

Track Premiere: Byron Westbrook, “Refraction Haze”

  • Essays

2020 in Experimental Music

  • Lists & Compilations

An Introductory Guide to Experimental Voice

  • Premieres

Livestream: Bang on a Can Marathon (Round 5)

  • by Vanessa Ague
  • Posted on February 20, 2021February 22, 2021
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  • Essays

2020 Reflections on Books, Food, Theater, Television, and Film

  • by Vanessa Ague
  • Posted on December 31, 2020January 28, 2021
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  • Lists & Compilations

Eight Essential Releases on Café OTO’s in-house label, Takuroku

  • by Sam Gooderham
  • Posted on November 16, 2020February 22, 2021
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  • Essays

October 2020 in Experimental Music

  • by Vanessa Ague
  • Posted on November 9, 2020December 31, 2020
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  • Album Reviews

Michi Wiancko, Planetary Candidate

  • by Vanessa Ague
  • Posted on November 2, 2020January 28, 2021
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  • Premieres

Livestream: Bang on a Can Marathon (Round 4)

  • by Vanessa Ague
  • Posted on October 17, 2020November 9, 2020
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  • Album Reviews

FPBJPC, Jubilee

  • by Shy Thompson
  • Posted on October 15, 2020December 28, 2020
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  • Premieres

Video Premiere: Jordan Reyes, “Rebirth At Dusk”

  • by Vanessa Ague
  • Posted on October 13, 2020November 30, 2020
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  • Interviews

Joshua Chuquimia Crampton discusses The Heart’s Wash

  • by Daniel Bromfield
  • Posted on October 12, 2020November 9, 2020
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  • Album Reviews

Sarah Hennies discusses The Reinvention of Romance

  • by James May
  • Posted on October 7, 2020November 30, 2020
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About

The Road to Sound, run by Vanessa Ague, contextualizes today’s experimental music.

Top Posts

  • Mini-reviews: Notice Recordings, November 2020 Batch
  • Elori Saxl, The Blue of Distance
  • February 2020 in Experimental Music
  • Tatsuya Nakatani & Shane Parish, Interactivity

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