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The Road to Sound

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Category: Reviews

  • Album Reviews

Album Review: Natalia Beylis, Lost – For Annie

  • by Vanessa Ague
  • Posted on July 9, 2024May 26, 2025
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  • Album Reviews

Album Review: Fuubutsushi, Meridians

  • by Vanessa Ague
  • Posted on July 8, 2024February 5, 2025
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  • Concert Reviews

Notes from Basilica Hudson’s 24-Hour Drone

  • by Vanessa Ague
  • Posted on June 7, 2024March 11, 2025
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  • Concert Reviews

Notes from Bang on a Can’s 2024 Long Play Festival

  • by Vanessa Ague
  • Posted on June 4, 2024February 5, 2025
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  • Concert Reviews

Notes from Ellen Fullman and JACK Quartet at Artists Space

  • by Vanessa Ague
  • Posted on May 2, 2024December 9, 2024
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  • Album Reviews

Album Review: FUJI||||||||||TA, MMM

  • by Vanessa Ague
  • Posted on April 29, 2024July 9, 2024
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  • Concert Reviews

Notes from Celebrating 90 Years: Christian Wolff at Judson Memorial Church

  • by Vanessa Ague
  • Posted on March 18, 2024July 8, 2024
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  • Album Reviews

Album Review: Armbruster, Can I Sit Here

  • by Vanessa Ague
  • Posted on February 21, 2024June 7, 2024
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  • Concert Reviews

Reflections on Phill Niblock’s 90th Birthday Winter Solstice: 24 Hours of Music and Film

  • by Vanessa Ague
  • Posted on January 22, 2024June 4, 2024
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  • Concert Reviews

The Gift of Close Listening: JACK Quartet Plays Catherine Lamb

  • by Vanessa Ague
  • Posted on September 8, 2022May 2, 2024
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About

The Road to Sound, run by Vanessa Ague, contextualizes today’s experimental music.

Top Posts

  • What Makes Music Great?
  • Julius Eastman, Femenine (performed by ensemble 0 & AUM Grand Ensemble)
  • The Road to Sound's 2021 In Review: The Year in Experimental Music
  • January 2022 in Experimental Music

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